Driving and moving, this song was a catchy crowd-pleaser and reflected what the band can do, as well as being just what was needed to leave a good impression.Ī full-bodied Margriet Mol appeared on stage, accompanied by her Gothic colleagues. “Whispers” was announced as the final number, which went down particularly well with the Polish contingent supporting their fellow countrymen. The singer, striking with her blonde hair and frilly black dress, could hold a note but seemed to be having trouble when switching up or down the range. The instrumental work was impressive and the songs were good but the vocals were variable. The music induced headbanging, but of the lighter variety. It was punchy, dark and above all catchy. The driving riff and the strong vocals made for a good song and reminded me why I like this style and this band. We were promised the presence of love and a good headbanging song. This highly charged track was much better. At the end of it, the singer breathlessly mumbled the next song, which I recognized as “Clinic for Dolls”. I walked into a crashing beat and an out of tune female vocalist. The show had just started when I joined the 60 or so spectators. Plenty to look forward to.įirst to play was Unsun. Three bands, three different interpretations of the style. ![]() This was an evening of outfits, jewellery and Goth Metal. Review by Andew Doherty from MetalZine UK:
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